Content
See contentYou do, from the moment it is made. Files sit in your own Google Drive or SharePoint, the blog lives on your domain, raw footage from every shoot is handed over at full resolution, and the profiles we publish from are registered in your name. Nothing has to be exported or asked for later, because none of it was ever held anywhere else.
One team in Sydney. The same writer stays across your material month after month, so the vocabulary of your trade gets learned once instead of re-explained. Filming, editing, design and publishing sit with that same group. When you ask why a piece was written a certain way, you are talking to the person who wrote it.
We read everything you already have: past proposals, capability statements, project records, the way your estimator answers an email. Then a recorded interview with the people who know the work, and a topic plan you approve before a word is written. The first published pieces come out of that same block of work rather than a separate planning phase.
Against pipeline, not post counts. Every piece carries a UTM and lands in a dashboard showing which article, video or post preceded an enquiry, and what that enquiry was worth in your own numbers. Search visibility and views sit in the report because they explain movement, but the line that matters is what the content brought in.
Access, and a recorded conversation each month with whoever knows the projects best. Access means the CMS, the analytics, the social profiles, and a person who can confirm a technical fact before it publishes. The conversation is with your director or estimator or site supervisor, and that recording carries weeks of written and filmed material.
You keep the engine. The calendar, the topic bank, the interview recordings, the templates and the published library all stay with you, and the logins were yours the entire time. We write a handover covering how pieces were planned, who they were aimed at and where the source material is filed, so whoever picks it up is not starting from a blank page.

Social Media
See social mediaOne in-house team, and the same people every month. The person writing your captions sits next to the editor cutting your footage, so a reply in the comments comes from someone who already knows what you sell and how you talk about it. Nothing gets handed to an outside supplier to fill a gap in the calendar.
Yes, from day one. Instagram, LinkedIn, Facebook, TikTok and YouTube are registered in your business name with your email as the owner, and we work inside them on delegated access you can revoke whenever you want. Raw footage, edited cuts, captions, templates and the calendar sit in a drive you control. Nothing that matters lives behind our login.
We audit what already exists, then we build the library. Handles, bios, links and cover assets get fixed, the platforms and content pillars are agreed, and a production day banks real footage of your team and the sites you work on. The calendar is written and approved before a single post publishes.
On enquiries first and reach second. Tracking is wired so a form, a call or a direct message that started on social can be traced back to the post and the platform that earned it, and the monthly report is written against that. Followers and impressions are in there too, sitting under the numbers that pay you.
You keep all of it. The accounts stay in your name because they were never in ours, and the content library, the calendar and the brand rules stay in the drive you own. We write a handover covering how each platform gets posted, what sits in the schedule and where every asset lives, so whoever picks it up can keep going.
The ones your buyers actually use, usually Instagram, LinkedIn and Facebook, with TikTok and YouTube added where the audience is already there. A commercial fit-out contractor and a skincare brand get a different mix. One shoot feeds every channel, but the cut, the caption and the posting time are built for each platform rather than copied across.